Ballroom Dancing - The International Standards

Ballroom Dancing describes partner dances, performed socially or competitively, with prescribed specific movements. It evokes a sense of mystique and elegance if performed socially and of energy and passion when performed competitively.

The word "ball" in Ballroom Dancing comes from not the child's toy but from the Latin word "ballare" meaning to dance. It forms the bases for the words ballet (a dance,) ballerina (a dancer) and ballroom (a room for dancing). Ballroom Dancing was very popular among the English upper class during the late 18th and early 19th centuries, where it referred to almost any type of recreation dancing. By the early 20th century, as it caught the interest of the working class, the term become narrower in scope, with many of the dances dropping out of favour as being 'historical' or 'folk' dances.

By the early 1920's a number of dance societies in both England and America began to offer regulated competitive Ballroom Dancing. They promoted a number of standard dances, with some basic movements that dancers could confidently perform with any partner they might meet. The highly influential Imperial Society of Dance Teachers (later, the Imperial Society of Teachers of Dancing) formed a Ballroom Branch which was instrumental in developing standard dancing styles, which later formed the basis for the International dance standards.

Currently, the term Ballroom Dancing refers to the International Standard dances, which are currently regulated by the WDC (World Dance Council). The International standard comprises the following five dances: the Modern Waltz (also known as the 'slow' or the 'English' waltz); the Viennese Waltz; the Slow Foxtrot; the Tango; the Quickstep.

Sometimes, the term Ballroom Dancing also includes the International Latin style dances, which include: the Samba; the Rumba; the Paso Doble; the Cha-Cha; the Jive.

Both, Modern Ballroom and Latin American Ballroom, dancing styles are well standardized for teaching purposes with a set, internationally recognized vocabulary, technique, rhythm and tempo. The dancing postures for International Latin style varies from dance to dance: some dances require using closed hold, some require partners holding each other with only one hand, few dances require a line of dance and a number of dances have the routines performed on pretty much a single spot.

For the International standard Ballroom dances, the posture requirement is a closed hold (5 points of contact between dancers) during varied tempo (beats per minute) and rhythm (structure). With a set line of dance, this posture provides a very elegant look as the couple floats across the dance floor.

Jo has been writing articles for nearly 2 years. Come visit his latest website about carpet cleaners reviews that discusses everything you need to know before buying carpet cleaners reviews.

View the original article here

My Particles Are Dancing!

" Oh sun, rise. Particles are dancing. I see headless, footless spirits dancing with ecstasy. Some are dancing at the dome of the sky. Come close. I'll tell you where they are going."

That's Rumi speaking from the book, "Crazy As We Are," written by Dr. Nevit O. Ergin.

Rumi certainly had a way with words. Dancing is the motion of freedom; it connects me to the sound of my inner music, which is constantly playing in awareness.
Rumi was the original dancing mystic; he connected to his inner self by twirling, and this dance became the art of worship for his followers. Dancing has been used for centuries by cultures around the world to honor and worship a higher power.

Dancing takes me to a free zone where I can be myself and share my freedom with others. My body moves in gestures of playfulness and lighthearted actions that come from within me. I am in another place; a place of well being where there is only a feeling of my spirit gliding through the air of physical existence. Dancing is the art of lifting my ego to the door of awakening. Dancing makes me feel good; it brings out another part of me that bonds with the world around me. I am a particle of ecstasy floating with other particles that reach out and touch the stars. Dancing with the stars I become one of them in the artful movement of oneness. My consciousness is free to focus on other moments of reality and refresh my purpose of existence. The dance changes me into what I have always been but forgot I am; a dream of grand expansion.

The philosopher Friedrick Nietzsche explains dancing this way:

In song and dance man expresses himself as a member of a higher community; he has forgotten how to walk and speak and is on the way toward flying, dancing into the air. His very gestures are of enchantment... He feels himself to be a god, going about in ecstasy, exalted, like the gods beheld in his dreams... He is no longer an artist, he has become a work of art. In a paroxysm of intoxication the creative power of all nature has come to light in him at the highest rapture of the one that is All. Nature, with its true voice undissembled cries out to us: "Be as I am! I, the primordial ever-creating mother amidst the ceaseless flux of appearances, ever impelling into existence, externally finding in these transformations satisfaction."

So it is. The dance brings me the feeling of joy; it brings me the emotion of excitement; it entertains my spirit and I become who I am. The music is always playing all I need to do is hear it and get up from my seat of loneliness and dance. My dance fills the cracks in my thinking; paints my world with brightness and showers my reality with abundance.

May I have the next dance with you?

Howard (Hal) Thomas Manogue, was born in Philadelphia, and is a forerunner to the Indigo children, a now age term for misfit with an intuitive nature, a desire to know his truth with a gift of giving and sharing. Hal retired from the shoe industry after 35 years of sole searching, and discovered his real soul.

He enjoys art, music, philosophy, psychology, nature and people.

His poems have been published by: Mystic Pop Magazine, Children Of The New Earth Magazine, New Age Tribune, Seasons Of The Soul Newsletters, Lightship News and Writers In The Sky Newsletters. His essays can be found on Hal's Blog and Website: http://halmanogue.blogspot.com/
http://www.shortsleeves.net/

He lives in Franklin Tennessee.

Hal's new book Short Sleeves Insights: Live A Ordinary Life In An Non-Ordinary Way will be in print in April. Visit any bookstore or Hal's website to get a copy. Hal's third Collection Of poetry: Short Sleeves A Book For Friends will also be in print in April.

View the original article here

Ballroom Dancing - A Brief History

When you think of Ballroom dancing, you generally think of flowing gowns and dark tuxedos. You also think of beautiful, willowy, women and tall, dark, handsome men waltzing their way around the dance floor. However, ballroom dance is not just the Waltz, it is a lot more. From the elegant and stately waltz, a hot, sultry and sexy Tango or Paso Doble, or a good bit of lively fun like the Fox Trot, Jive or Quick Step, ballroom dancing is all of these.

Technically, ballroom dancing is defined as "Any of various, usually social dances in which couples perform set moves". However, the word "ball" (not the child's toy) comes from the Latin "ballare" meaning to dance and forms the base for the word ballroom (a room for dancing), ballet (a dance), and ballerina (a dancer).

Ballroom dancing was very popular among the gentry (or upper class) of England, in the late 18th and early 19th centuries and didn't really catch on with the working class until the late 19th and early 20th century.

It wasn't until the early 1920's that competitive ballroom dancing began gaining popularity. As a result, the Imperial Society of Teachers of Dancing (formerly known as The Imperial Society of Dance Teachers) formed a Ballroom Branch whose function was to standardize the ballroom dances.

Today, modern ballroom dancing revolves around five dances comprising: the Modern Waltz; the Viennese Waltz; the Slow Foxtrot; Tango; and the Quickstep.

Latin American ballroom is short for Latin and American - not a reference to Latin countries and its dances are the Samba; Rumba; Paso Doble; Cha-Cha; and the Jive.

The modern ballroom dances all involve a couple dancing in a closed hold and vary in tempo (beats per minute) and rhythm (structure). A closed hold involves 5 bodily points of contact between the couple. Three of these points involve the hands, the males left hand holding the females right, the females left hand on top of the males right upper arm (for the Tango the females hand would go behind his arm) and the males right hand on the females back resting on her left shoulder blade. The other two points of contact are the females left elbow resting on the males right elbow and the right side of the females chest touching the right side of the males chest. This dance posture provides a very elegant look as the couple floats across the dance floor and has its origins in the European royal courts.

There is some conjecture that the right side-to-right side contact of the closed hold may have originated from a time when men danced while wearing their swords, which were hung on their left sides. Additionally, this theory would also explain the counter clockwise movement around the dance floor as the man would've stood on the inside of the circle so he wouldn't inadvertently hit any of the people watching the dancers with his sword as he danced past.

The dancing posture for Latin American ballroom varies from dance to dance with some dances using the closed hold and others where the partners hold each other with only one hand.

Both Modern Ballroom and Latin American Ballroom has been standardized for teaching purposes and has a set, internationally recognized vocabulary, technique, rhythm and tempo.

About the Author

Charly Leetham has an abiding interest in Ballroom Dancing with both of her children undertaking Ballroom Dancing classes and performing exceptionally well.

Learn More About Ballroom Dancing.

View the original article here

Beyond Dancing - Book Review

I had an interview with Anita Bloom Ornoff who is the author of the book, BEYOND DANCING. While this may not seem like a big deal there are several things that you might want to consider. Anita is 85 years old and she wrote her book a year ago. Anita is also a paraplegic, paralyzed from the waist down. She was the first woman to get a drivers license by using only her hands and she was the first handicapped female to enter and receive her degree from NYU.

Anita lost the use of her lower limbs at the start of World War II. She enrolled in the WAAC which later became the WAC. A cut on her finger got infected and malpractice ended up with an infection requiring that her spinal chord be severed. She has had three husbands and four marriages and two children. You will have to read her book to figure the math
Keep in mind that this is a female who became handicapped long before the American Disabilities Act. Her struggle was constant and up hill. She had to fight the VA for benefits and she had to fight a society that was not yet ready to accord all equal access to the benefits and rights that most of us take for granted. When asked about how things were for the handicapped now, as compared to after World War II, Anita said that by comparison, today is like heaven.

This brings to mind the issue of whether or not we can control our lives and partake of happiness, regardless of circumstances. Many are brought up in situations that seem insurmountable. But the fact that there are those who rise above those situations should be proof that we each have more control over our happiness than we are led to believe. Anita said that above all; do not let others keep you down. Do not let people say that what you desire is not possible. Do not accept the norm since the norm and conventional wisdom is often wrong.

Despite all of the forces that seemed to be arrayed against her, Anita Bloom Ornoff refused to accept a "no can do" attitude. She fought for what she desired and has led a happy and joyful life. History is replete with those who, against all apparent odds, rose above the "trials and tribulations" of life and created a reality that was of their own liking, and not that dictated by others. Books like the recently released, "The Secret" say that with the power of the mind, all things are possible. Anita is an example of an everyday person who brings that refrain into perspective and reality. Perhaps there should be a little less whining in our society and perhaps we should listen to those, like Anita, who have paved the way in proving that what we think is what we create.

The novel is published by Bartleby Press, ISBN 091015550X, 311 pages, hardcover.

Mr. Harris was born in Massachusetts. He attended The American University in Washington, D.C. and received his degree in Political Science. His graduate work was done at the University of Northern Colorado and Howard University. He spent several years working for local and regional and state government agencies. He worked on a White House Task Force and served as Rural Policy Coordinator at the FRCouncil of New England.

Mr. Harris is co-author of the novel WAKING GOD and is a nationally syndicated / featured writer for The American Chronicle. His second novel, A MAINE CHRISTMAS CAROL was released by Cambridge Books, his third book, JESUS TAUGHT IT, TOO: THE EARLY ROOTS OF THE LAW OF ATTRACTION (Avatar Publication). He is author of the book, RAPING LOUISIANA: A DIARY OF DECEIT and his two most recent self-growth titles, the "MESSAGES" series were just released by Avatar. See his book titles at http://dickens111.tripod.com/theliteraryworksofphilipharris

View the original article here